There is an "otherness" that comes from watching a film from a country I don’t know much about. Joko Anwar’s film SATAN’S SLAVES, a huge hit in its home country of Indonesia, may harken back to Argento’s films and the cool aesthetic of Rosemary’s Baby, but arriving steeped in fresh, strange superstitions, every moment feels fresh. Set in 1981, a family struggles to make ends … [Read more...]
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